Movie Review: “Hamilton”
by Hope Madden and George Wolf, MaddWolf.com A closer look at Hamilton, and all the new streaming releases this week:
Irresistible
by George Wolf, MaddWolf.com
Some of the best moments during Jon Stewart's years on The Daily Show happened when his guest was some smug politician who had not done their homework.
Because Jon always did his, and the squirming politico would realize pretty quickly that Jon could throw some heaters. This funnyman was whip smart, too, and pretty handy with the b.s. detector.
It should come as little surprise, then, that Irresistible, Stewart's second feature as writer/director, employs some purposeful, intelligent comedy as it sets about skewering today's ridiculous political climate.
Daily Show vet Steve Carell is Democratic strategist Gary Zimmer. Stinging badly from the 2016 election, he's inspired by a YouTube video of a former Marine hero dressing down the city council in tiny Deerlacken, WI.
Zimmer decides right then that Col. Jack Hastings (Chris Cooper) and his "redder kind of blue" appeal could be the centerpiece of a new nationwide project to expand the Democratic base. And it all begins with getting Hastings elected mayor of Deerlacken.
This does not go unnoticed on the other side. Once GOP strategist Faith Brewster (Rose Byrne) and her crew come to town, the Mayor's race in Deerlacken starts carrying some pretty high stakes - including one hilarious sexual side bet between the two opposing operatives.
After an impressively dramatic filmmaking debut with 2014's Rosewater, Stewart returns to the satirical stomping grounds where he became a respected (and, to some, reviled ) voice that drove many worthwhile conversations.
Though the bite of this screenplay may be a bit softer, his narrative approach betrays a long game that trades the sharper knives for the chance at a wider reach. Because the cure for what's infecting American politics is not going to spread through niche marketing.
Sure, you could call that a sellout, and for the first two acts of this movie you might be right. The "all politics is local" premise is certainly not new, nor are many of the talking points. But thanks to the two veteran leads, those points are just funnier.
Carell's default manner is perfect for the quietly condescending Zimmer, an elitist who confuses nobility with blind ambition, and somehow thinks he has a shot with the Col's much younger daughter (Mackenzie Davis).
The real treat, though, is seeing Byrne finally dig into another role worthy of her comedy pedigree. With the right material, Byrne is a comedic MVP, as she reminds anyone who's forgotten that fact by making Brewster one hilarious, shameless, priceless piece of work.
Stewart may be known for his progressive leanings, but both the left and the right are in his sights here, along with unchecked political cash and obsessive pundits complicit in fostering the fear and shame game.
Easy targets? Sure. But if you don't think Stewart's smart enough to know that, than you never saw him blindside a back-slapping incumbent on late night TV.
Irresistible caters to your expectations just long enough to make you think you knew where it was going all along. The unassuming way the film upends those expectations might seem overly convenient, but it feels right, as if Stewart is practicing what he is taking care not to preach. And that's just what might make it hard for mainstream America to resist.
https://www.youtube.com/watch?v=0vhaAoSm1NY&t=29s
My Spy
by George Wolf, MaddWolf.com
I may not be ready for my close up, but I'm finally ready for my movie poster quote. Check it out:
My Spy is the best huge-former-wrestler-stars-with-little-kid movie I have ever seen.
Or, if it helps: "My Spy is the best...movie I have ever seen." I'm flexible, just remember it's Wolf, no "e" at the end.
There must be a page somewhere in the wrestler handbook that says the transition from mat to marquee must include some generic whale out of water antics with a precocious wee one. The Hulkster, Rock and Cena all paid their dues with insufferable projects, now it's your turn Dave Bautista.
What the? This is pretty entertaining.
Bautista is JJ, a former special forces hero trying to make the transition to CIA operative. His ride is not smooth, so he and a wannabe partner (Kristen Schaal) are assigned to boring surveillance duty.
They set up in a Chicago apartment down the hall from Kate (Parisa Fitz-Henley) and her lonely 9 year-old daughter Sophie (Chloe Coleman). The ladies have some bad-niks in the family who the Feds are hoping will make contact, because arms trading, plutonium, stolen flash drive, the usual.
The point is, Sophie sniffs out the neighboring spys in a matter of minutes, gets them on video, and uses the footage to blackmail JJ into being her friend.
Do you think Sophie's hot mom will warm up to him, too?
Yes, it is predictable, drags in spots and is assembled from parts of plenty of other films. But director Peter Segal (Tommy Boy, Get Smart) and screenwriters Erich and Jon Hoeber (RED, The Meg) find some solid self-aware laughs poking holes in plenty of film tropes, from action scenes and tough guy catch phrases to over-the-top gay neighbors (Devere Rogers and Noah Danby, classic) and the very idea of little kid sidekicks.
Guardians of the Galaxy proved Bautista has charisma and comic timing. My Spy lets him flash a little self-deprecating charm, and a sweet chemistry with his pint-sized partner. Coleman (Big Little Lies) brings plenty of cuteness, but also a vulnerable layer that goes a long way toward keeping the eye-rolling at bay.
And anyone who saw Mr. Nanny, Tooth Fairy or Playing with Fire will appreciate that. I know I did.
You can quote me on that.
https://www.youtube.com/watch?v=pfAhQSz-j_o
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Becky
by Hope Madden, MaddWolf.com
Finally, someone truly understands what it’s like to be an incredibly angry adolescent girl.
At the very least, Jonathan Milott and Cary Murnion’s film Becky understands enough to be afraid of her.
The titular 13-year-old, played with convincing charisma by Lulu Wilson, is a handful for her widowed father (Joel McHale). Still, dad has decided this is the weekend to take Becky for a getaway with his girlfriend (Amanda Brugel), and her 5-year-old (Isaiah Rockcliffe). They head to the old vacation cabin for a big talk.
He soon finds that his 13-year-old may not be the scariest thing on earth.
Or, you know what? Maybe she is.
Kevin James plays against type as a swastika-tatted up inmate, leader of a band of escapees. James may be hoping to catch the same mid-career fire Vince Vaughn has been fanning, mainly portraying the heavy in various indie thrillers. Early scenes play well, James cutting a solemnly menacing figure as he quietly organizes and orchestrates. But as the film wears on it becomes clear the actor can’t manage the sinister energy needed to really make an impression.
I’ll take this over Paul Blart, though.
Robert Maillet’s a lot of fun, though. At 6’10”, the one-time wrestler dwarfs even the gangly McHale. He’s no master thespian, but his arc creates a spectacular punctuation for Becky’s own transformation and his sheer immensity brings a little needed anxiety to the film.
The writing team, which includes Lane and Ruckus Skye of the brilliant and as-of-yet undistributed Devil to Pay (originally titled Reckoning), cheats a little with this script. Backstories, motivations and mysteries—particularly as they articulate the villainous characters—feel less undefined than lazily obscured. Between that and James’s inability to truly sell the viciousness in his character, the family’s jeopardy lacks the intensity it needs for this film to truly impress.
Wilson does not. In her hands, Becky is a fascinating character, and it is with this character that the writing team and directors score the most points. The film is bloody, angry and, even for its fairly formulaic premise, unpredictable.
https://youtu.be/Ymt6c-h9pgY
Shirley
by Hope Madden, MaddWolf.com
I’m not sure which thrilled me more, that Elisabeth Moss was set to portray the great Shirley Jackson, or that Josephine Decker was slated to direct.
If you’re not familiar with Decker, give yourself the gift of her 2014 minor miracle Thou Wast Mild and Lovely. Decker’s languid style seduces you, keeps you from pulling away from her films’ underlying tensions, darkness, sickness. She specializes in that headspace that mixes the story as it is and the story as it’s told, which makes her a fitting guide for Susan Scarf Merrell’s fictionalized account of this slice of Jackson’s life.
Which brings us to Moss, quickly ascending the ranks of “best actors of our generation” into the rarified air of “genius.” Moss has proven time and again that she can inhabit any character with a fearlessness that allows her to disappear and the character to emerge, fully human. Such is the case with the enigmatic, damaged and brilliant Jackson.
Shirley takes us into the period where the already reclusive writer begins work on her novel Hangsaman.
This stretch of time coincides with the arrival of some help
for Jackson’s husband Stanley Hyman (Michael Stuhlbarg). The couple will be
opening their home to Stanley’s new teaching assistant (Logan Lerman), and his pregnant
wife, Rose (Odessa Young).
The film’s plot follows Jackson’s relationship with Rose,
which develops in tandem with her newest manuscript. The friendship unveils unkind
truths about power, sexual politics and other uglinesses that Jackson always
mined so formidably in her creepiest work.
Decker manipulates the pacing, melancholy and sensuality of
her tale beautifully, drawing a stirring performance from Young. But my god,
what she gets from Moss and Stuhlbarg.
To witness two such remarkable talents sparring like this,
aided by a biting script that offers them ample opportunity to wade into the
sickness and dysfunction of this marriage—it’s breathtaking.
The result is dark and unseemly, appropriately angry and gorgeously told—fitting tribute to the author.
https://youtu.be/wxMtEean_V8
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A star-studded music movie and some throwback SciFi fun comes home this week, as well as a handful of other mainly decent choices. Click the film title to link to the full review.
The High Note
https://www.youtube.com/watch?time_continue=1&v=SLAel-mH3N0&feature=emb_logo
The Vast of Night
https://youtu.be/ZEiwpCJqMM0
Once Were Brothers: Robbie Robertson and The Band
https://youtu.be/ZYTpMZjZxwI
The Invisible Man (DVD)
https://youtu.be/WO_FJdiY9dA
Endings, Beginnings (DVD)
https://youtu.be/b_J9-5hMLls
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by Hope Madden and George Wolf, MaddWolf.com
Just one movie transitioning from its theatrical release to streaming platforms, but if you're ready to brave Target (or want to add one more thing to your cart), loads of new DVD/BluRay options are out there. Here's a quick walk through.
Click the film title to link to the complete review.
Buffaloed
https://youtu.be/LrQZpeMcM5g
Emma (DVD)
https://youtu.be/qsOwj0PR5Sk
Onward
https://youtu.be/gn5QmllRCn4
Sonic the Hedgehog (DVD)
https://youtu.be/szby7ZHLnkA
Brahms: The Boy II
https://youtu.be/ECPfXUW0zt8
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by Hope Madden and George Wolf, MaddWolf.com
Some decent options in traditional home viewing. What are you going with? Click the film title to link to the full review.
Capone
https://youtu.be/Bnvz-P9j2qA
The Photograph
https://youtu.be/BZulYPti89M
Birds of Prey (DVD)
https://youtu.be/kGM4uYZzfu0
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If you are feeling stir crazy, you're starting to believe your own trapped family is leading you to lunacy, maybe even murder, have we got the movie for you! Indeed, it's a stellar week for horror fans. Read on! Click the film title to link to the full review.
The Lodge
https://youtu.be/XYUI97qAa_k
Tigers Are Not Afraid (DVD)
https://youtu.be/KyoE0mSJXO8
Gretel & Hansel (DVD)
https://youtu.be/QZblQLhKcZQ
Greed (DVD)
https://youtu.be/ISNS0lremmo
Bloodshot (DVD)
https://youtu.be/vOUVVDWdXbo
I Still Believe (DVD)
https://youtu.be/YnxHyBbYwQQ
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The time will come within weeks that we have no post-theatrical releases to discuss. How insane is that? Until then, you can pass the time with two early 2020 releases that, according to box office, you probably missed. Both are worth a look - one is actually excellent. Click the film title to link the complete review.
The Assistant
https://youtu.be/sow78oHyowA
The Rhythm Section
https://youtu.be/0Uq_5bYGYoY
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